Banned in the U.S.A.: British Films in the United States and their Censorship, 1933–1966
Title: Banned in the U.S.A.: British Films in the United States and their Censorship, 1933–1966 (Cinema and Society) (1st Edition)
Author: Anthony Slide
Format: Hardcover (1st Edition)
Publisher: I.B. Tauris
ISBN: 1-86064-254-3
Language: English
Pages: 232
Dimensions: 24 x 16 cm
Publication Date: 1998
Genre: Non-Fiction, Film Studies, Censorship History
Condition: Good
Description:
An authoritative and eye-opening study of how British cinema was scrutinized and censored in America. Film historian Anthony Slide explores the cultural, political, and moral standards that led to the banning or alteration of numerous British films between 1933 and 1966. A vital read for film scholars, historians, and anyone interested in transatlantic media dynamics.
Title: Banned in the U.S.A.: British Films in the United States and their Censorship, 1933–1966 (Cinema and Society) (1st Edition)
Author: Anthony Slide
Format: Hardcover (1st Edition)
Publisher: I.B. Tauris
ISBN: 1-86064-254-3
Language: English
Pages: 232
Dimensions: 24 x 16 cm
Publication Date: 1998
Genre: Non-Fiction, Film Studies, Censorship History
Condition: Good
Description:
An authoritative and eye-opening study of how British cinema was scrutinized and censored in America. Film historian Anthony Slide explores the cultural, political, and moral standards that led to the banning or alteration of numerous British films between 1933 and 1966. A vital read for film scholars, historians, and anyone interested in transatlantic media dynamics.
Title: Banned in the U.S.A.: British Films in the United States and their Censorship, 1933–1966 (Cinema and Society) (1st Edition)
Author: Anthony Slide
Format: Hardcover (1st Edition)
Publisher: I.B. Tauris
ISBN: 1-86064-254-3
Language: English
Pages: 232
Dimensions: 24 x 16 cm
Publication Date: 1998
Genre: Non-Fiction, Film Studies, Censorship History
Condition: Good
Description:
An authoritative and eye-opening study of how British cinema was scrutinized and censored in America. Film historian Anthony Slide explores the cultural, political, and moral standards that led to the banning or alteration of numerous British films between 1933 and 1966. A vital read for film scholars, historians, and anyone interested in transatlantic media dynamics.